Ana Silva
It tells the history of an object that crosses
several continents on the occasion of
humanitarian missions, without thinking
that one day it could come back to its
origins, in a new shape.
After years in a market, used as shadow,
tidying bag, napkinor even as a simple
product whose ultime goal is the trash, I
discovered the beauty of its texture
during one of my strall.
Then I try to tell a story by creating these
characters that add value and poetry to its
existence.– Ana Silva
By embroidering our sublime, dark humanities on these semi-abstract faces, Ana Silva gently reminds us that reappropriating our memories to better build our future is a work of body to body, heart to heart.
Ana Silva (b. 1979, Calulo, Angola; lives and works in Lisbon, Portugal) expresses her creativity through the diversity of materials she uses. Canvas, wood, metal, acrylic paint and fabric are all elements that make up and shape her art. During her walks through the markets of Luanda, she began to distort the primary use of raffia bags and other artifacts into a work of memory; from abandoned objects to revived objects: "I can't separate my work from my experience in Angola, at a time when access to materials was difficult due to the war of independence and the civil war. My creativity was born from exploring my immediate environment. This experience had a big impact on the way I work and on my life in general."