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Overview

The unpretentious monumentality, concave, deliberately invisible and capable of creating an artistic container that ends up sucking in, absorbing and even regurgitating the audience in another way, throwing it into a new space of recognition and perception of reality and of the surroundings; it is a fairly powerful vehicle in the work of João Modé.

– Alexandre Sá, For the Silence of Plants, 2011

Brazilian artist, lives and works in Rio de Janeiro. His work is articulated by a plural notion of languages ​​and spaces of action. Since 2013 he has been developing a group of works in fabrics that he calls “Construtivo [Paninho]’. Using sewing and embroidery, the artist appropriates kitchen towels, sheets and cloths of his daily use to build works in homage to the geometric/abstract tradition of brazilian art. A form of 'construtivo-afetivo'. He has a degree in Architecture and Visual Programming, with a master's degree in Visual Languages ​​from the Federal University of Rio de Janeiro. He was a founding member of the Visorama group, which promoted debates on contemporary art issues between the late 1980s and the 1990s.

Selected Works
  • João Modé, Projeto REDE, desde 2013
    Projeto REDE, desde 2013
  • João Modé, Construtivo [Paninho], Zigzag, 2024
    Construtivo [Paninho], Zigzag, 2024
  • João Modé, Lost triangle in a luminous lines field, 2023
    Lost triangle in a luminous lines field, 2023
  • João Modé, Sem título [Untitled], 2022
    Sem título [Untitled], 2022
  • João Modé, Construtivo [Paninho] listras vermelhas e brancas, 2022
    Construtivo [Paninho] listras vermelhas e brancas, 2022
  • João Modé, Sem título [Untitled], 2022
    Sem título [Untitled], 2022
  • João Modé, Enquanto as pedras esperam, 2022
    Enquanto as pedras esperam, 2022
  • João Modé, Desenho na Parede 01, 2021
    Desenho na Parede 01, 2021
  • João Modé, Construtivo [Paninho], para Ione, 2021
    Construtivo [Paninho], para Ione, 2021
  • João Modé, Construtivo [Paninho] Perpendicular listrado, 2021
    Construtivo [Paninho] Perpendicular listrado, 2021
  • João Modé, Construtivo [Paninho], quadrados com listras, 2020
    Construtivo [Paninho], quadrados com listras, 2020
  • João Modé, Construtivo [Paninho], Móbile, 2019
    Construtivo [Paninho], Móbile, 2019
  • João Modé, Construtivo [Paninho], Rosa e Azul, 2019
    Construtivo [Paninho], Rosa e Azul, 2019
  • João Modé, Construtivo [Paninho], música, 2019
    Construtivo [Paninho], música, 2019
  • João Modé, Construtivo [Paninho] listras e colagem, 2019
    Construtivo [Paninho] listras e colagem, 2019
  • João Modé, Construtivo [Paninho] cinza, 2018
    Construtivo [Paninho] cinza, 2018
  • João Modé, Construtivo [Paninho], 2016
    Construtivo [Paninho], 2016
  • João Modé, Construtivo [Paninho], planta, 2016
    Construtivo [Paninho], planta, 2016
  • João Modé, Escultura instável, 2015
    Escultura instável, 2015
  • João Modé, Feira Livre, 2014
    Feira Livre, 2014
  • João Modé, O silêncio das plantas, 2011
    O silêncio das plantas, 2011
  • João Modé, Cinco extensores se encontrando sobre a Gentil, 2007
    Cinco extensores se encontrando sobre a Gentil, 2007
  • João Modé, Eu | tudo no seu devido lugar [Me | everything in it's own place], 2003/2021
    Eu | tudo no seu devido lugar [Me | everything in it's own place], 2003/2021
Selected Exhibitions
In the gallery
Press
Video
Publications
Biography

Brazilian artist, lives and works in Rio de Janeiro. His work is articulated by a plural notion of languages ​​and spaces of action. Since 2013 he has been developing a group of works in fabrics that he calls “Construtivo [Paninho]’. Using sewing and embroidery, the artist appropriates kitchen towels, sheets and cloths of his daily use to build works in homage to the geometric/abstract tradition of brazilian art. A form of 'construtivo-afetivo'. He has a degree in Architecture and Visual Programming, with a master's degree in Visual Languages ​​from the Federal University of Rio de Janeiro. He was a founding member of the Visorama group, which promoted debates on contemporary art issues between the late 1980s and the 1990s.

In 2019 he presented an individual at the Peter Kilchmann gallery, in Zurich, Switzerland and was a finalist for the Marcantônio Vilaça Award, at the FAAP Museum, São Paulo. In 2018, he took part in the collective exhibition 'Las Calanques' at FRAC Marseille, France. In 2017, he participated in the exhibitions “35º Panorama de Arte Brasileira” at the Museum of Modern Art - MAM in São Paulo, “BAHAR/The Instanbul Off-Site Project for Sharjah Biennial 13” in Abud Efendi, Turkey, “Presente para Iemanjá ”at Casa França Brasil, Rio de Janeiro. In 2016 he took part in the “Aichi Triennial” in Nagoya, Okazaki and Toyokashi, Japan, in the “Gran Bienal Tropical” in San Juan, Puerto Rico, in “Ponto Transição” in Fundição Progresso, Rio de Janeiro and in “A Cor do Brasil ”at the Rio Art Museum - MAR, Rio de Janeiro. In 2015, he opened two solo exhibitions, “O passado vem de frente numa brisa” at the Museu do Açude, Rio de Janeiro and “Algumas coisas que estão comigo” at A Gentil Carioca Gallery, Rio de Janeiro. In 2014, he held the solo shows “Land, die raum” in Berlin, Germany, “Desertão” at CCBN Cariri, in Juazeiro do Norte, Ceará and the project “REDE” at the Museum of Contemporary Art – MAC, Niterói, Rio de Janeiro. In 2008 he participated in the 28th Bienal de São Paulo, among several other participations in his artistic trajectory.

João Modé's works integrate collections such as Pinacoteca do Estado de São Paulo, Museum of Modern Art of São Paulo, Museum of Modern Art of Rio de Janeiro, Frac Bretagne, France and also important private collections in Brazil and abroad.