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Overview

"Denilson Baniwa narrates a specific way of occupying the hegemonic place of art, starting from the presupposition of the preservation of something unusual, immeasurable and even incommunicable. To occupy a place as sharing, without canceling differences, but, on the contrary, manifesting them as an invitation to the relationship epistemic that can transform that place that, now, seems to let itself scissor through those that had been left out."

- Renata Marquez, A Língua das Onças e das Lontras, 2020 

Sometimes the challenge is not to occupy positions. When the existing ones don't work, it is necessary to create something new. Denilson Baniwa is an indigenous artist; he is indigenous and he is an artist, and his being indigenous leads him to invent other ways of making art, where processes of imagining and making are, by force, interventions in a historical dynamic - the history of the colonization of indigenous territories that we know today as Brazil - and interpellations to those who find him to embrace their responsibilities.

Selected Works
  • Denilson Baniwa, Wirámiri (Passarinhos), 2024
    Wirámiri (Passarinhos), 2024
  • Denilson Baniwa, Araçary, 2024
    Araçary, 2024
  • Denilson Baniwa, O Roubo das Flautas Sagradas, 2024
    O Roubo das Flautas Sagradas, 2024
  • Denilson Baniwa, Panapaná, 2024
    Panapaná, 2024
  • Denilson Baniwa, Panambi, 2024
    Panambi, 2024
  • Denilson Baniwa, Nokitsínda Copo (Amigo de Copo), 2023
    Nokitsínda Copo (Amigo de Copo), 2023
  • Denilson Baniwa, Nokáattiwani (Happy Hour), 2023
    Nokáattiwani (Happy Hour), 2023
  • Denilson Baniwa, The Call of the Wild / Yawareté tapuya, 2023
    The Call of the Wild / Yawareté tapuya, 2023
  • Denilson Baniwa, Moqueca de Maridos [Lord of the Flies], 2023
    Moqueca de Maridos [Lord of the Flies], 2023
  • Denilson Baniwa, Roubo das Flautas, 2023
    Roubo das Flautas, 2023
  • Denilson Baniwa, Barbie, 2023
    Barbie, 2023
  • Denilson Baniwa, Boca do Céu, 2023
    Boca do Céu, 2023
  • Denilson Baniwa, Piraíbas, 2022
    Piraíbas, 2022
  • Denilson Baniwa, Boca do Céu, 2022
    Boca do Céu, 2022
  • Denilson Baniwa, Pai nosso, 2022
    Pai nosso, 2022
  • Denilson Baniwa, Pescaria, 2022
    Pescaria, 2022
  • Denilson Baniwa, Hiiwe (Jacuraru), 2022
    Hiiwe (Jacuraru), 2022
  • Denilson Baniwa, Nomana Nitaka Nhaá (Acalmar as Pessoas Briguentas), 2022
    Nomana Nitaka Nhaá (Acalmar as Pessoas Briguentas), 2022
  • Denilson Baniwa, Ocupação dos Sonhos, 2022
    Ocupação dos Sonhos, 2022
  • Denilson Baniwa, Brasil, Terra Indígena, 2022
    Brasil, Terra Indígena, 2022
  • Denilson Baniwa, Mártires Índigenas 1, 2020
    Mártires Índigenas 1, 2020
Selected Exhibitions

Escola Panapaná | Pinacoteca do Estado de São Paulo | São Paulo, Brazil, 2023

 

 

In the gallery
Press
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Biography

Born in Barcelos, in the interior of Amazonas, Denilson Baniwa is indigenous to the Baniwa people. He currently lives and works in Niterói, Rio de Janeiro. As an activist for the rights of indigenous peoples, he gives lectures, workshops and courses, acting strongly in the southern and southeastern regions of Brazil and also in Bahia since 2015. In addition to being a visual artist, Denilson is also an advertiser, articulator of digital culture and hacking, contributing to the construction of an indigenous imagery in various media such as magazines, films and TV series.

 

In 2023, he inaugurates the solo show “Moqueca de Maridos” at A Gentil Carioca in São Paulo, participates in the 35th Bienal de São Paulo - "choreographies of the impossible", in the first edition of the Bienal das Amazônias - Belém do Pará, and occupies the octagon of the Pinacoteca de São Paulo with the installation "Escola Panapaná". In 2022, he presented his first solo exhibition at A Gentil Carioca, "Frontera", and curated the exhibition "Naokoada" at the Museum of Modern Art in Rio de Janeiro. In 2021, he presented the individual "Inípo - Caminho da Transformação" at the Goethe Institute, in Porto Alegre. In 2018, he held the exhibition “Terra Brasilis: agro is not pop!”, at the Art Gallery of the Universidade Federal Fluminense, also in Niterói, as part of the project “Brasil: A Margem”, promoted by the university. In the same year, he participated in the artistic residency of the fourth edition of the Corpus Urbis Festival, held in Oiapoque, Amapá. He has been in exhibitions at CCBB, Pinacoteca de São Paulo, CCSP, Centro de Artes Hélio Oiticica, Museu Afro Brasil, MASP, MAR and Sidney Biennale. In 2019 he won the Pipa Award in the online category and in 2021 he was one of the winners nominated by the jury.

 

Sometimes the challenge is not to occupy positions. When the existing ones don't work, it is necessary to create something new. Denilson Baniwa is an indigenous artist; he is indigenous and he is an artist, and his being indigenous leads him to invent other ways of making art, where processes of imagining and making are, by force, interventions in a historical dynamic - the history of the colonization of indigenous territories that we know today as Brazil - and interpellations to those who find him to embrace their responsibilities.