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Overview

Observing the construction of Agrade Camíz is realizing the need to cross the walls of love and denunciation, subjectivity and memory. Leave behind an idyllic and bucolic suburb that never existed.

– Marcelo Campos, Your name is on judas or from suburban to suburban, 2021

A multimedia artist, she uses the aesthetics of popular Rio de Janeiro architecture in her work, developing pieces full of housing symbols. Through the representation of objects loaded with emotional memory, such as railings and other architectural elements, Agrade evokes issues related to sexuality, beauty and female oppression. As well as producing works in dimensions suitable for exhibition in galleries and museums, the artist has an expressive practice as a graffiti artist and muralist, taking her work into the city's public spaces.

Selected Works
  • Agrade Camíz, Lascívia, 2023
    Lascívia, 2023
  • Agrade Camíz, Sem título, 2023
    Sem título, 2023
  • Agrade Camíz, Após a Curva Vire à Esquerda, 2023
    Após a Curva Vire à Esquerda, 2023
  • Agrade Camíz, Após a Curva Vire à Esquerda, 2023
    Após a Curva Vire à Esquerda, 2023
  • Agrade Camíz, Após a Curva Vire à Esquerda, 2023
    Após a Curva Vire à Esquerda, 2023
  • Agrade Camíz, Após a Curva Vire à Esquerda, 2023
    Após a Curva Vire à Esquerda, 2023
  • Agrade Camíz, Após a Curva Vire à Esquerda, 2023
    Após a Curva Vire à Esquerda, 2023
  • Agrade Camíz, Após a Curva Vire à Esquerda, 2023
    Após a Curva Vire à Esquerda, 2023
  • Agrade Camíz, Feijão Preto, 2023
    Feijão Preto, 2023
  • Agrade Camíz, Alligator, 2023
    Alligator, 2023
  • Agrade Camíz, Peephole, 2023
    Peephole, 2023
  • Agrade Camíz, Desabitadas (Uninhabited), 2023
    Desabitadas (Uninhabited), 2023
  • Agrade Camíz, Poema do Beco, 2023
    Poema do Beco, 2023
  • Agrade Camíz, O Quereres (díptico), 2023
    O Quereres (díptico), 2023
  • Agrade Camíz, O Sonho do Amor Próprio, 2023
    O Sonho do Amor Próprio, 2023
  • Agrade Camíz, Lapas, 2022
    Lapas, 2022
  • Agrade Camíz, Rejunte, 2022
    Rejunte, 2022
  • Agrade Camíz, Pop Brazil Vol. 2, 2022
    Pop Brazil Vol. 2, 2022
  • Agrade Camíz, Alligator 4, 2022
    Alligator 4, 2022
  • Agrade Camíz, Bloco 2, 2021
    Bloco 2, 2021
  • Agrade Camíz, Vista, 2021
    Vista, 2021
  • Agrade Camíz, Sem título [Untitled], 2021
    Sem título [Untitled], 2021
  • Agrade Camíz, Girls' money, 2021
    Girls' money, 2021
  • Agrade Camíz, Fundos I, 2021
    Fundos I, 2021
  • Agrade Camíz, Teu nome tá no Judas, 2020
    Teu nome tá no Judas, 2020
  • Agrade Camíz, Padrão sobre corpo, 2020
    Padrão sobre corpo, 2020
  • Agrade Camíz, Padrão sobre corpo 2, 2020
    Padrão sobre corpo 2, 2020
  • Agrade Camíz, Namoradeira, 2019
    Namoradeira, 2019
Selected Exhibitions

Quitação, 2022 | A Gentil Carioca | São Paulo, Brasil

In the gallery
Press
Biography

A multimedia artist, she uses the aesthetics of popular Rio de Janeiro architecture in her work, developing pieces full of housing symbols. Through the representation of objects loaded with emotional memory, such as railings and other architectural elements, Agrade evokes issues related to sexuality, beauty and female oppression. As well as producing works in dimensions suitable for exhibition in galleries and museums, the artist has an expressive practice as a graffiti artist and muralist, taking her work into the city's public spaces.

Agrade has done artistic residencies in Cidade de Deus and Maré, both in Rio de Janeiro, and in Natal, Rio Grande do Norte. She has participated in various projects related to graffiti and urban art since 2010, and has exhibited her work in group shows at various institutions.

In 2023, the artist took part in the Gasworks residency in London. She also presented "Última Forma", her second solo exhibition at the A Gentil Carioca gallery in Rio de Janeiro, and took part in the group show "Forrobodó", also at A Gentil Carioca. In the same year she also took part in the exhibitions: "Conversas entre coleções" (Casa Roberto Marinho, Rio de Janeiro); "Corpo Gesto" (Galeria Nonada, Rio de Janeiro); "Poderosa energia do amor" (Galeria Cândido Portinari, Rio de Janeiro) and "Dos Brasis" (Sesc Belenzinho, São Paulo).

In 2022, she presented the solo show "Quitação" at the São Paulo headquarters of A Gentil Carioca, and took part in the group shows: "Crônicas Cariocas" (Museu de Arte do Rio, Rio de Janeiro); "Misturas" (Galpão Bela Maré, Rio de Janeiro); "Art For Women's Lives" (Paço Imperial, Rio de Janeiro) and "Se essa rua fosse minha" (Oi Futuro, Rio de Janeiro). In 2021, she took part in the project Parede Gentil 37: "Arte, Substantivo Feminino", and held her first solo exhibition, "Abusada", both at the gallery's headquarters in Rio de Janeiro. Her works are in the collection of the Inhotim Institute, Brumadinho; PIPA Foundation, Rio de Janeiro and the Bredin Prat Foundation, Paris, France.