ABRE ALAS #19
Virgínia Di Lauro, Dentro dela, muitas coisas passando, 2022
linha de costura, espelho, azulejo, pedra, placas eletrônicas, tinta acrílica, madeira, cabeça feita a partir de fita, sacola plástica e talco industrial
[sewing thread, mirror, tile, stone, electronic boards, acrylic paint, wood, head made from tape, plastic bag and industrial talc]
[sewing thread, mirror, tile, stone, electronic boards, acrylic paint, wood, head made from tape, plastic bag and industrial talc]
84 x 44 cm
[33 5/64 x 17 21/64 in]
[33 5/64 x 17 21/64 in]
Copyright O Artista
Uma cara-rosto-cabeça feita a partir de reaproveitamentos de plástico, papel, massa de talco industrial. Seu corpo aberto, moldura de abandono, placas eletrônicas, fios de linha de costura, espelhos, azulejo, pintura,...
Uma cara-rosto-cabeça feita a partir de reaproveitamentos de plástico, papel, massa de talco industrial. Seu corpo aberto, moldura de abandono, placas eletrônicas, fios de linha de costura, espelhos, azulejo, pintura, um labirinto encenado no gesto solto na parte de trás de sua cabeça. Quanto de um corpo pode se traduzir através do lixo? A possibilidade de criar sentidos através do monturo, restos, sobras, caos. A moldura, quando abandonada, carregava um retrato de uma mulher, contorno e pincelada de algum artista retratista. Retirei e compus com elementos do entorno. Um corpo, através do tempo, depois do retrato dela, sem nome, muitas coisas passando. Delírio e crua realidade, transmutada no gesto, muitas coisas passando.
A head-face made from recycled plastic, paper and industrial talcum paste. Her open body, a frame of abandonment, electronic boards, sewing thread, mirrors, tiles, paint, a labyrinth staged in the loose gesture on the back of her head. How much of a body can be translated through garbage? The possibility of creating meanings through the heap, leftovers, scraps, chaos. The frame, when abandoned, carried a portrait of a woman, the outline and brushstrokes of some portrait artist. I removed it and composed it with elements from the surroundings. A body, through time, after her portrait, without a name, many things passing by. Delirium and raw reality, transmuted into gesture, many things passing by.
A head-face made from recycled plastic, paper and industrial talcum paste. Her open body, a frame of abandonment, electronic boards, sewing thread, mirrors, tiles, paint, a labyrinth staged in the loose gesture on the back of her head. How much of a body can be translated through garbage? The possibility of creating meanings through the heap, leftovers, scraps, chaos. The frame, when abandoned, carried a portrait of a woman, the outline and brushstrokes of some portrait artist. I removed it and composed it with elements from the surroundings. A body, through time, after her portrait, without a name, many things passing by. Delirium and raw reality, transmuted into gesture, many things passing by.