Pascale Marthine Tayou
PASCALE MARTHINE TAYOU – b. Nkongsamba, 1966 – lives and work at Ghent, Belgium and in Yaoundé, Cameroon. Ever since the beginning of the 1990’s and his participation in Documenta 11 (2002) in Kassel and at the Venice Biennale (2005 and 2009) Pascale Marthine Tayou has been known to a broad international public.
His work is characterized by its variability, since he confines himself in his artistic work neither to one medium nor to a particular set of issues. While his themes may be various, they all use the artist himself as a person as their point of departure. Already at the very outset of his career, Pascale Marthine Tayou added an “e” to his first and middle name to give them a feminine ending, thus distancing himself ironically from the importance of artistic authorship and male/female ascriptions.
Tayou has contributed to a number of major international exhibitions and art events, such as Documenta 11 (2002), Triennial of Turin (2008), Tate Modern (2009), the Biennials of Gwangju (1997 and 1999), Santa Fe (1997), Sydney (1997), La Havane (1997 and 2006), Liverpool (1999), Berlin (2001), Sao Paulo (2002), Munster (2003), Istanbul (2003), Lyon (2000 and 2005), Venice (2005 and 2009) and has shown his work in museums around the world.
He had had solo shows at the MACRO (Rome, 2004 and 2013), S.M.A.K. (Ghent, Belgium, 2004), MARTa Herford (Herford, Germany, 2005), Milton Keynes Gallery (Milton Keynes, UK, 2007), Malmö Konsthall (Malmö, Sweden, 2010), Mudam (Luxembourg, 2011), La Villette (Paris, France, 2012), KUB (Bregenz, Austria, 2014), Fowler Museum (Los Angeles, USA, 2014), the Serpentine Sackler Gallery (London, England, 2015), Bozar (Brussels, London, 2015), Musée de l’Homme (Paris, 2015), CAC Malaga (Spain, 2016) and Love City (Varberg, Sweden, 2017).